Community Calendar

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

Waimea Town Market at Parker School is home to over 50 highly curated vendors who offer a wide variety of terrific produce, food and locally sourced and hand made items. Please join us, talk story with our vendors, learn about their businesses and crafts, and enjoy breakfast or lunch at our picnic tables with the Mauna Kea view—where North Hawaii comes together.

The Hawaii Sustainability Expo and Electric Home Show celebrates Earth Day 2026 at the Blaisdell center! Attendees can test drive up to 10 EVs without having to go dealer to dealer to dealer, ride e-bikes/skate/hoverboards, eat at the farm-to-expo food court, play cornhole at the all-electric tailgate and BBQ, see the latest in induction cookstoves technology, heat pump technology, solar portable power stations, and all sorts of other climate-friendly advances of the clean tech revolution.

Bestselling author Bill McKibben headlines an amazing lineup of speakers, panels, and workshops throughout the weekend and homeowners will have a chance to see all the greatest home improvement technologies available and meet qualified contractors who can help them get their home all-electric and solar powered.

Come see for yourself the Beauty of Pastel in an exhibit sponsored by Pastel Artists of Hawaii (PAH). The exhibit, open to all pastel artists statewide, will be juried by Terrilynn Dubreuil, She is an internationally recognized “Master Circle
Pastellist with IAPS (International Association of Pastel Societies), a juried Signature Member of the Pastel Society of America (PSA), Signature member of Pastel Society of Maine,” among others…

PAH is a Hawaii-wide group of artists who produce works using soft, sometimes known as dry, pastels. The pieces must consist of at least 80% soft pastel. Used for hundreds of years by the likes of Mary Cassatt, Edgar Degas, Pablo Picasso, and Pierre-August Renoir, soft pastels are nothing more than pigment (or color) held in a stick form by a minimum amount of binder, allowing the artists many ways of applying and manipulating the color.

Scenes from Hawaii tend to feature prominently in PAH paintings, but you can also see portraits, still life, and maybe even a few abstracts. Come see some views of the islands and more through the loving eyes of these local artists.

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

The Hawaii Sustainability Expo and Electric Home Show celebrates Earth Day 2026 at the Blaisdell center! Attendees can test drive up to 10 EVs without having to go dealer to dealer to dealer, ride e-bikes/skate/hoverboards, eat at the farm-to-expo food court, play cornhole at the all-electric tailgate and BBQ, see the latest in induction cookstoves technology, heat pump technology, solar portable power stations, and all sorts of other climate-friendly advances of the clean tech revolution.

Bestselling author Bill McKibben headlines an amazing lineup of speakers, panels, and workshops throughout the weekend and homeowners will have a chance to see all the greatest home improvement technologies available and meet qualified contractors who can help them get their home all-electric and solar powered.

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.