Community Calendar

This exhibition takes the viewer on a journey through the diverse regions of the Philippines featuring centerpieces of Filipino attire, from the southern Muslim and Indigenous communities in Mindanao, to the Indigenous communities in the northern Luzon region, to the predominantly Roman Catholic central Visayan Islands, to the national dress associated with Manila.

Honoring the deep connection between Hawai'i and the Philippines, a display of historical photographs shares the story of the Sakada, the first 15 Filipinos who immigrated to Hilo, Hawai'i, as labor workers in 1906.

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

Waimea Town Market at Parker School is home to over 50 highly curated vendors who offer a wide variety of terrific produce, food and locally sourced and hand made items. Please join us, talk story with our vendors, learn about their businesses and crafts, and enjoy breakfast or lunch at our picnic tables with the Mauna Kea view—where North Hawaii comes together.

This exhibition takes the viewer on a journey through the diverse regions of the Philippines featuring centerpieces of Filipino attire, from the southern Muslim and Indigenous communities in Mindanao, to the Indigenous communities in the northern Luzon region, to the predominantly Roman Catholic central Visayan Islands, to the national dress associated with Manila.

Honoring the deep connection between Hawai'i and the Philippines, a display of historical photographs shares the story of the Sakada, the first 15 Filipinos who immigrated to Hilo, Hawai'i, as labor workers in 1906.

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

This exhibition takes the viewer on a journey through the diverse regions of the Philippines featuring centerpieces of Filipino attire, from the southern Muslim and Indigenous communities in Mindanao, to the Indigenous communities in the northern Luzon region, to the predominantly Roman Catholic central Visayan Islands, to the national dress associated with Manila.

Honoring the deep connection between Hawai'i and the Philippines, a display of historical photographs shares the story of the Sakada, the first 15 Filipinos who immigrated to Hilo, Hawai'i, as labor workers in 1906.

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

This exhibition takes the viewer on a journey through the diverse regions of the Philippines featuring centerpieces of Filipino attire, from the southern Muslim and Indigenous communities in Mindanao, to the Indigenous communities in the northern Luzon region, to the predominantly Roman Catholic central Visayan Islands, to the national dress associated with Manila.

Honoring the deep connection between Hawai'i and the Philippines, a display of historical photographs shares the story of the Sakada, the first 15 Filipinos who immigrated to Hilo, Hawai'i, as labor workers in 1906.

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

This exhibition takes the viewer on a journey through the diverse regions of the Philippines featuring centerpieces of Filipino attire, from the southern Muslim and Indigenous communities in Mindanao, to the Indigenous communities in the northern Luzon region, to the predominantly Roman Catholic central Visayan Islands, to the national dress associated with Manila.

Honoring the deep connection between Hawai'i and the Philippines, a display of historical photographs shares the story of the Sakada, the first 15 Filipinos who immigrated to Hilo, Hawai'i, as labor workers in 1906.