Community Calendar

Balinese Wayang Listrik (giant shadow puppets in combination with live action and gamelan orchestra)
April 17-26, 2026
*Pre-Show Chats at 6:45pm before Saturday performances

Co-Directed by Kristin Pauka and I Madé Moja
Adapted from a traditional Balinese folktale by Ketut Wirtawan and Madé Moja

Panji and the Lost Princess is a large-scale Balinese shadow puppetry performance in the tradition of wayang listrik. The story is based on the Balinese interpretation of a traditional Javanese story, and adapted to the genre of wayang listrik by Balinese master artists I Ketut Wirtawan and I Madé Moja. The show is dynamically staged with giant shadow puppetry, actors, dancers, special lighting effects, and is accompanied by a live gamelan ensemble, led by master musician I Madé Widana. The style of the production, wayang listrik (Indonesian for “electric shadows”), is a recent development in Balinese shadow puppetry that emerged in the late 1990s. What distinguishes this art form from others is the inclusion of giant screens, paintings, complex lighting, 3-dimensional effects, and dancers, as well as actors behind the screen, wearing shadow masks carved in a similar manner as traditional kulit (“leather”) puppets. Moja has staged two previous wayang listrik productions at Kennedy Theatre: Subali-Sugriwa – Battle of the Monkey Kings and The Last King of Bali. We are thrilled that he will return this season to serve as the master designer and co-director of this production.

Friday, Apr. 17 at 7:30pm
Saturday, Apr. 18 at 7:30pm*
Friday, Apr. 24 at 7:30pm
Saturday, Apr. 25 at 7:30pm*
Sunday, Apr. 26 at 2:00pm
*pre-show chat 4/18 & 4/25 at 6:45pm

Presented By Big Island Grown

Afroman's musical career began in the eighth grade, when he began recording homemade songs and selling them to his classmates. "The first tape I made was about my eighth-grade teacher," he once recalled. "She got me kicked out of school for sagging my pants, which was a big deal back then. So I wrote this song about her and it sold about 400 copies: it was selling to teachers, students, just about everybody. And I realized that, even though I wasn't at school, my song was at school, so in a way I was still there. All these people would come by my house just to give me comments about how cool they thought the song was." Foreman also performed in his church at a young age, playing both the drums and guitar.

In 1998, Afroman released his first album, My Fro-losophy and later relocated to Hattiesburg, Mississippi, where he met drummer Jody Stallone, keyboardist/bassist Darrell Havard and producer Tim Ramenofsky (a.k.a. Headfridge).

Ramenofsky produced and released Afroman's album Because I Got High in 2000 on T-Bones Records; it was distributed primarily through concerts and the file-sharing service Napster before its title track was played on The Howard Stern Show. Afroman was inspired to write the song's lyrical content by his unwillingness to clean his room, and he ran with the idea of everyday tasks being derailed by drug use. In late 2001, the song became a hit and was featured in the films Jay and Silent Bob Strike Back, The Perfect Score, and Disturbia later in the 2000s. "Because I Got High" was nominated for the Grammy Award for Best Rap Solo Performance in 2002.

After the single's success, Afroman joined the lineup of Cypress Hill's fall festival "Smoke Out" with the Deftones, Method Man, and others. After this, Universal Records signed Afroman to a six-album deal, and Universal released The Good Times in 2001. The Good Times was a compilation of Afroman's first two albums and some new tracks.

Rainbow Chorus of Honolulu Weekly Rehearsal
Join the Rainbow Chorus of Honolulu for our weekly rehearsals as we prepare for our most important concert of the season, Stronger Together. We are actively welcoming new singers of all voice parts and musical backgrounds who want to make meaningful music in an inclusive, affirming community. Come sing with us, build harmony, and help amplify a message of unity, love, and belonging.

Balinese Wayang Listrik (giant shadow puppets in combination with live action and gamelan orchestra)
April 17-26, 2026
*Pre-Show Chats at 6:45pm before Saturday performances

Co-Directed by Kristin Pauka and I Madé Moja
Adapted from a traditional Balinese folktale by Ketut Wirtawan and Madé Moja

Panji and the Lost Princess is a large-scale Balinese shadow puppetry performance in the tradition of wayang listrik. The story is based on the Balinese interpretation of a traditional Javanese story, and adapted to the genre of wayang listrik by Balinese master artists I Ketut Wirtawan and I Madé Moja. The show is dynamically staged with giant shadow puppetry, actors, dancers, special lighting effects, and is accompanied by a live gamelan ensemble, led by master musician I Madé Widana. The style of the production, wayang listrik (Indonesian for “electric shadows”), is a recent development in Balinese shadow puppetry that emerged in the late 1990s. What distinguishes this art form from others is the inclusion of giant screens, paintings, complex lighting, 3-dimensional effects, and dancers, as well as actors behind the screen, wearing shadow masks carved in a similar manner as traditional kulit (“leather”) puppets. Moja has staged two previous wayang listrik productions at Kennedy Theatre: Subali-Sugriwa – Battle of the Monkey Kings and The Last King of Bali. We are thrilled that he will return this season to serve as the master designer and co-director of this production.

Friday, Apr. 17 at 7:30pm
Saturday, Apr. 18 at 7:30pm*
Friday, Apr. 24 at 7:30pm
Saturday, Apr. 25 at 7:30pm*
Sunday, Apr. 26 at 2:00pm
*pre-show chat 4/18 & 4/25 at 6:45pm

The Mountain Goats are, for all practical purposes, the endlessly clever and prolific John Darnielle and whomever he chooses to work with at the moment, which means the sound may change from project to project, but the overall tone and feel of his work remains remarkably consistent. Darnielle writes finely observed, impressionistic vignettes that blend a clear, realistic sense of detail with mildly surreal imaginings, giving his work a literary flavor that suits his status as a songwriter who is also a successful novelist. His early Mountain Goats releases were lo-fi, cassette-recorded efforts cut with a rotating cast of musicians, such as 1995's Nine Black Poppies and 2000's The Coroner's Gambit. By 2005's The Sunset Tree, his recordings had become cleaner and less cluttered, but his character studies were just as vivid. As the Mountain Goats cohered into a stable lineup (with Darnielle joined by Peter Hughes, Matt Douglas, and Jon Wurster), they recorded tuneful, thematically unified albums such as Beat the Champ (2015) and Jenny from Thebes (2023) that ranked with their finestwork.

Balinese Wayang Listrik (giant shadow puppets in combination with live action and gamelan orchestra)
April 17-26, 2026
*Pre-Show Chats at 6:45pm before Saturday performances

Co-Directed by Kristin Pauka and I Madé Moja
Adapted from a traditional Balinese folktale by Ketut Wirtawan and Madé Moja

Panji and the Lost Princess is a large-scale Balinese shadow puppetry performance in the tradition of wayang listrik. The story is based on the Balinese interpretation of a traditional Javanese story, and adapted to the genre of wayang listrik by Balinese master artists I Ketut Wirtawan and I Madé Moja. The show is dynamically staged with giant shadow puppetry, actors, dancers, special lighting effects, and is accompanied by a live gamelan ensemble, led by master musician I Madé Widana. The style of the production, wayang listrik (Indonesian for “electric shadows”), is a recent development in Balinese shadow puppetry that emerged in the late 1990s. What distinguishes this art form from others is the inclusion of giant screens, paintings, complex lighting, 3-dimensional effects, and dancers, as well as actors behind the screen, wearing shadow masks carved in a similar manner as traditional kulit (“leather”) puppets. Moja has staged two previous wayang listrik productions at Kennedy Theatre: Subali-Sugriwa – Battle of the Monkey Kings and The Last King of Bali. We are thrilled that he will return this season to serve as the master designer and co-director of this production.

Friday, Apr. 17 at 7:30pm
Saturday, Apr. 18 at 7:30pm*
Friday, Apr. 24 at 7:30pm
Saturday, Apr. 25 at 7:30pm*
Sunday, Apr. 26 at 2:00pm
*pre-show chat 4/18 & 4/25 at 6:45pm

Tropical Jazz Tuesdays, curated by bassist Randy Wong, with rotating duo partners. No cover.

The North Shore Country Market is back! Join us every Wednesday from 1 to 6 PM at Liliuokalani Protestant Church in Haleiwa.
Discover fresh local produce, unique gifts from artisans and crafters, delicious food, and live island music.
Serving the North Shore community for over 30 years — the North Shore Country Market welcomes you every Wednesday afternoon. Free Market parking!

Local trumpeter and bandleader Mike Lewis returns to the club with his 17-piece big band!

Balinese Wayang Listrik (giant shadow puppets in combination with live action and gamelan orchestra)
April 17-26, 2026
*Pre-Show Chats at 6:45pm before Saturday performances

Co-Directed by Kristin Pauka and I Madé Moja
Adapted from a traditional Balinese folktale by Ketut Wirtawan and Madé Moja

Panji and the Lost Princess is a large-scale Balinese shadow puppetry performance in the tradition of wayang listrik. The story is based on the Balinese interpretation of a traditional Javanese story, and adapted to the genre of wayang listrik by Balinese master artists I Ketut Wirtawan and I Madé Moja. The show is dynamically staged with giant shadow puppetry, actors, dancers, special lighting effects, and is accompanied by a live gamelan ensemble, led by master musician I Madé Widana. The style of the production, wayang listrik (Indonesian for “electric shadows”), is a recent development in Balinese shadow puppetry that emerged in the late 1990s. What distinguishes this art form from others is the inclusion of giant screens, paintings, complex lighting, 3-dimensional effects, and dancers, as well as actors behind the screen, wearing shadow masks carved in a similar manner as traditional kulit (“leather”) puppets. Moja has staged two previous wayang listrik productions at Kennedy Theatre: Subali-Sugriwa – Battle of the Monkey Kings and The Last King of Bali. We are thrilled that he will return this season to serve as the master designer and co-director of this production.

Friday, Apr. 17 at 7:30pm
Saturday, Apr. 18 at 7:30pm*
Friday, Apr. 24 at 7:30pm
Saturday, Apr. 25 at 7:30pm*
Sunday, Apr. 26 at 2:00pm
*pre-show chat 4/18 & 4/25 at 6:45pm