Community Calendar

Balinese Wayang Listrik (giant shadow puppets in combination with live action and gamelan orchestra)
April 17-26, 2026
*Pre-Show Chats at 6:45pm before Saturday performances

Co-Directed by Kristin Pauka and I Madé Moja
Adapted from a traditional Balinese folktale by Ketut Wirtawan and Madé Moja

Panji and the Lost Princess is a large-scale Balinese shadow puppetry performance in the tradition of wayang listrik. The story is based on the Balinese interpretation of a traditional Javanese story, and adapted to the genre of wayang listrik by Balinese master artists I Ketut Wirtawan and I Madé Moja. The show is dynamically staged with giant shadow puppetry, actors, dancers, special lighting effects, and is accompanied by a live gamelan ensemble, led by master musician I Madé Widana. The style of the production, wayang listrik (Indonesian for “electric shadows”), is a recent development in Balinese shadow puppetry that emerged in the late 1990s. What distinguishes this art form from others is the inclusion of giant screens, paintings, complex lighting, 3-dimensional effects, and dancers, as well as actors behind the screen, wearing shadow masks carved in a similar manner as traditional kulit (“leather”) puppets. Moja has staged two previous wayang listrik productions at Kennedy Theatre: Subali-Sugriwa – Battle of the Monkey Kings and The Last King of Bali. We are thrilled that he will return this season to serve as the master designer and co-director of this production.

Friday, Apr. 17 at 7:30pm
Saturday, Apr. 18 at 7:30pm*
Friday, Apr. 24 at 7:30pm
Saturday, Apr. 25 at 7:30pm*
Sunday, Apr. 26 at 2:00pm
*pre-show chat 4/18 & 4/25 at 6:45pm

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

The North Shore Country Market is back! Join us every Wednesday from 1 to 6 PM at Liliuokalani Protestant Church in Haleiwa.
Discover fresh local produce, unique gifts from artisans and crafters, delicious food, and live island music.
Serving the North Shore community for over 30 years — the North Shore Country Market welcomes you every Wednesday afternoon. Free Market parking!

Balinese Wayang Listrik (giant shadow puppets in combination with live action and gamelan orchestra)
April 17-26, 2026
*Pre-Show Chats at 6:45pm before Saturday performances

Co-Directed by Kristin Pauka and I Madé Moja
Adapted from a traditional Balinese folktale by Ketut Wirtawan and Madé Moja

Panji and the Lost Princess is a large-scale Balinese shadow puppetry performance in the tradition of wayang listrik. The story is based on the Balinese interpretation of a traditional Javanese story, and adapted to the genre of wayang listrik by Balinese master artists I Ketut Wirtawan and I Madé Moja. The show is dynamically staged with giant shadow puppetry, actors, dancers, special lighting effects, and is accompanied by a live gamelan ensemble, led by master musician I Madé Widana. The style of the production, wayang listrik (Indonesian for “electric shadows”), is a recent development in Balinese shadow puppetry that emerged in the late 1990s. What distinguishes this art form from others is the inclusion of giant screens, paintings, complex lighting, 3-dimensional effects, and dancers, as well as actors behind the screen, wearing shadow masks carved in a similar manner as traditional kulit (“leather”) puppets. Moja has staged two previous wayang listrik productions at Kennedy Theatre: Subali-Sugriwa – Battle of the Monkey Kings and The Last King of Bali. We are thrilled that he will return this season to serve as the master designer and co-director of this production.

Friday, Apr. 17 at 7:30pm
Saturday, Apr. 18 at 7:30pm*
Friday, Apr. 24 at 7:30pm
Saturday, Apr. 25 at 7:30pm*
Sunday, Apr. 26 at 2:00pm
*pre-show chat 4/18 & 4/25 at 6:45pm

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

Balinese Wayang Listrik (giant shadow puppets in combination with live action and gamelan orchestra)
April 17-26, 2026
*Pre-Show Chats at 6:45pm before Saturday performances

Co-Directed by Kristin Pauka and I Madé Moja
Adapted from a traditional Balinese folktale by Ketut Wirtawan and Madé Moja

Panji and the Lost Princess is a large-scale Balinese shadow puppetry performance in the tradition of wayang listrik. The story is based on the Balinese interpretation of a traditional Javanese story, and adapted to the genre of wayang listrik by Balinese master artists I Ketut Wirtawan and I Madé Moja. The show is dynamically staged with giant shadow puppetry, actors, dancers, special lighting effects, and is accompanied by a live gamelan ensemble, led by master musician I Madé Widana. The style of the production, wayang listrik (Indonesian for “electric shadows”), is a recent development in Balinese shadow puppetry that emerged in the late 1990s. What distinguishes this art form from others is the inclusion of giant screens, paintings, complex lighting, 3-dimensional effects, and dancers, as well as actors behind the screen, wearing shadow masks carved in a similar manner as traditional kulit (“leather”) puppets. Moja has staged two previous wayang listrik productions at Kennedy Theatre: Subali-Sugriwa – Battle of the Monkey Kings and The Last King of Bali. We are thrilled that he will return this season to serve as the master designer and co-director of this production.

Friday, Apr. 17 at 7:30pm
Saturday, Apr. 18 at 7:30pm*
Friday, Apr. 24 at 7:30pm
Saturday, Apr. 25 at 7:30pm*
Sunday, Apr. 26 at 2:00pm
*pre-show chat 4/18 & 4/25 at 6:45pm

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.

Balinese Wayang Listrik (giant shadow puppets in combination with live action and gamelan orchestra)
April 17-26, 2026
*Pre-Show Chats at 6:45pm before Saturday performances

Co-Directed by Kristin Pauka and I Madé Moja
Adapted from a traditional Balinese folktale by Ketut Wirtawan and Madé Moja

Panji and the Lost Princess is a large-scale Balinese shadow puppetry performance in the tradition of wayang listrik. The story is based on the Balinese interpretation of a traditional Javanese story, and adapted to the genre of wayang listrik by Balinese master artists I Ketut Wirtawan and I Madé Moja. The show is dynamically staged with giant shadow puppetry, actors, dancers, special lighting effects, and is accompanied by a live gamelan ensemble, led by master musician I Madé Widana. The style of the production, wayang listrik (Indonesian for “electric shadows”), is a recent development in Balinese shadow puppetry that emerged in the late 1990s. What distinguishes this art form from others is the inclusion of giant screens, paintings, complex lighting, 3-dimensional effects, and dancers, as well as actors behind the screen, wearing shadow masks carved in a similar manner as traditional kulit (“leather”) puppets. Moja has staged two previous wayang listrik productions at Kennedy Theatre: Subali-Sugriwa – Battle of the Monkey Kings and The Last King of Bali. We are thrilled that he will return this season to serve as the master designer and co-director of this production.

Friday, Apr. 17 at 7:30pm
Saturday, Apr. 18 at 7:30pm*
Friday, Apr. 24 at 7:30pm
Saturday, Apr. 25 at 7:30pm*
Sunday, Apr. 26 at 2:00pm
*pre-show chat 4/18 & 4/25 at 6:45pm

The Hawaii Sustainability Expo and Electric Home Show celebrates Earth Day 2026 at the Blaisdell center! Attendees can test drive up to 10 EVs without having to go dealer to dealer to dealer, ride e-bikes/skate/hoverboards, eat at the farm-to-expo food court, play cornhole at the all-electric tailgate and BBQ, see the latest in induction cookstoves technology, heat pump technology, solar portable power stations, and all sorts of other climate-friendly advances of the clean tech revolution.

Bestselling author Bill McKibben headlines an amazing lineup of speakers, panels, and workshops throughout the weekend and homeowners will have a chance to see all the greatest home improvement technologies available and meet qualified contractors who can help them get their home all-electric and solar powered.

Painters and ceramicists collide in "Forms of Voids." Two local artists—painter Kloe Kang and ceramicist Suzanne Wolfe—explore the symbolic power of the bowl, bridging the gap between ethereal painting and tactile clay.

After first collaborating in 2007 at the Honolulu Academy of Arts (Linekona), Kang and Wolfe reunite for a shared investigation of one of humanity's most elemental objects. The exhibit uses the simple form of a "bowl" to explore complex themes of identity and physical reality.

In this renewed partnership, the artists transition from sharing a studio to sharing a conceptual anchor. Kang’s paintings function as "visual pronouns" exploring the ephemeral state of being, while Wolfe’s ceramic forms remain rooted in material reality, layered with intricate text and imagery. It is a compelling look at how local artists collaborate and evolve across different mediums over decades.