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Bridging the Gap: December 5th, 2015

Tonight?s show will be a journey into harp driven, mellow abstract, psychedelic jazz and world music.

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Set List
Hour 1  

  1. Pacific Harp Project- Sonatine [S/T]
  2. Cody ChestnuTT- Chips Down (In No Landfill) [Landing on a Hundred]
  3. Aloe Blacc & Allice Smith- Baby [Red Hot and Rio 2]
  4. Khruangbin- Two fish and an Elephant [The Universe Smiles Upon You]
  5. Dorothy Ashby- Soul Vibrations [Afro Harping]
  6. Jazzanova- Hanazono [In Between]
  7. Hint- Quite Spactactular [Portacabin Fever]
  8. Sly 5thAve and the Clubcasa Chamber Orchestra- Hold On, We?re going Home [The Wrap Up]
  9. Pacific Harp Project- Un Sopiro [S/T]
  10. Tonbruket- Lilo [Dig it to the End]
  11. Urbs- So Weit [Toujours Le Meme Film]

Hour 2  

  1. The Xx- You Got the Love [You Got the Love 12"]
  2. Thievery Corporation- Meu Nego [Saudade]
  3. Ozomatli- Aqui No Sera [Ozomatli]
  4. Le Grande Kalle- Mama Nagi Habanera [His Life and Music]
  5. Buena Vista Social Club- De Camino A La Veranda [S/T]
  6. Dave Pike- Sandunga [Peligroso]
  7. Pacific Harp Project- Revenge of the Harpies [S/T]
  8. Raphael Bas- Confession [Putumayo: Vintage France]
  9. The Waitiki 7- Mood Indigo [Adventures in Paradise]
  10. Les Baxter- Tropicando [The Summer Moods of Les Baxter]
  11. Tame Impala- Sundown Syndrome [Sundown Syndrome EP]
  12. The Bobby Hughes Expirence- My French Brother [Fusa Riot]
  13. Dorothy Ashby- Truth Spoken Here [Dorothy?s Harp]
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Nick Yee’s passion for music developed at an early age, as he collected jazz and rock records pulled from dusty locations while growing up in both Southern California and Honolulu. In college he started DJing around Honolulu, playing Jazz and Bossa Nova sets at various lounges and clubs under the name dj mr.nick. He started to incorporate Downtempo, House and Breaks into his sets as his popularity grew, eventually getting DJ residences at different Chinatown locations. To this day, he is a fixture in the Honolulu underground club scene, where his live sets are famous for being able to link musical and cultural boundaries, starting mellow and building the audience into a frenzy while steering free of mainstream clichés.
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