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Bridging the Gap- September 27th, 2014 (Pre Drive!)

Where Credit Is Due
Where Credit Is Due
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 Tonights show is going to be a little preview of the CDs available as a premium for next weeks Pledge Drive. 

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Listen to or download playback of the show. 
Listen to mixes on Mixcloud or Soundcloud 
Questions? Shoot me an Email: nyee@hawaiipublicradio or djmrnick@gmail.com 

Set List: 

Hour 1

  1. Luiz Bonfa/Stan Getz/Maria Toledo- Sambalero [Jazz Samba Encore]
  2. Bola Sete & Vince Guaraldi- Giza Samba [From All Sides]
  3. Quantic- Aguas De Sorongo [Magnetica]
  4. Suba- Tantos Desejos [Sao Paula Confessons]
  5. Aldo Del Rio- Tomame o Déjame [El Bardo]
  6. Ondetropica- Cumbia Especial [S/T]
  7. Benjamin Lapidus & Kari B3- Guajira Organica [Ochosi Blues]
  8. Los Hacheros- Chano [Pilon]
  9. Quantic- La Callejera [Magnetica]
  10. Rodrigo Y Gabriela- The Russian Messenger [9 Dead Alive]

Hour 2

  1. Nina Simone- Feeling Good (Joe Claussell Remix) [Verve Remixed]
  2. Embee- Shibuya [Tellings from Solidaria]
  3. Thievery Corporation- Meu Nego [Saudade]
  4. White Hinterland- Icarus
  5. Nujabes- Supreme Atmosphere [Metaphorical Music]
  6. Aphex Twin- Flim [Come to Daddy EP]
  7. Quantic- Painting Silhouettes [Magnetica]
  8. Thievery Corporation- Para Sempre [Saudade]
  9. Cal Tjader- Soul Sauce [Cal Tjader: Verve Roots of Acid Jazz]
  10. Speedometer- Orisha [Happy 7"]
  11. The Lafayette Afro Rock Band- Racubah [Ultimate Collection]
  12. The Bobby Hughes Expirence- The Piper Cherokee (CUT SHORT!)
  13. Harold Marben-I Want You back [Wailin']
  14. Big John Patton- Jakey [Let Em' Roll]
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Nick Yee’s passion for music developed at an early age, as he collected jazz and rock records pulled from dusty locations while growing up in both Southern California and Honolulu. In college he started DJing around Honolulu, playing Jazz and Bossa Nova sets at various lounges and clubs under the name dj mr.nick. He started to incorporate Downtempo, House and Breaks into his sets as his popularity grew, eventually getting DJ residences at different Chinatown locations. To this day, he is a fixture in the Honolulu underground club scene, where his live sets are famous for being able to link musical and cultural boundaries, starting mellow and building the audience into a frenzy while steering free of mainstream clichés.
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