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Falsetto Phenom Kamakak?hau Fernandez on Being Black, Adopted, and a Son of Hawai?i

The Popolo Project
Hawaiian falsetto music star Kamakakehau Fernandez performs at the Hawai'i Museum of Art.

Being Black in Hawai?i is a rare experience shared only by about three percent of the state’s population. But, what about being Black and adopted by Native Hawaiians? That’s the story of Hawaiian falsetto music star Kamakak?hau Fernandez – and the subject of an upcoming documentary.

Once Kamakak?hau Fernandez discovered the ukulele as a child there was no turning back.

Credit Vivid Photography
Kamakakehau Fernandez discovered the ukulele as a child growing up in a strong Hawaiian household on Maui.

The N? H?k? Hanohano award winning singer was raised in a strong Hawaiian household in Kahului. He grew up immersed in the culture and gained fluency in the Hawaiian language.

FERNANDEZ: A?o ?ia ke ko?iko?i o ka maopopo ana i kou l?hui ak? no?u ?o ka l?hui Hawai?i wale n? ka?u e ?ike ai.

He says he was constantly reminded of the importance of knowing his identity, but the only identity he’s ever known has been Native Hawaiian.

Fernandez was born African American in Little Rock, Arkansas. He was adopted by a Native Hawaiian family on Maui when he just was six weeks old.

Credit The Popolo Project
The Popolo Project
Fernandez performs a hula at the Hawai'i State Capitol.

Learning that he was adopted didn?t change the way he saw himself, but it did change how he saw the world.

FERNANDEZ: Kohu mea l? aia wau ma ke kai o ka man?.

He says being Black in America is like swimming in a sea of sharks.

Protests for social justice and the Black Lives Matter movement have forced Fernandez into deep introspection about what it means to be Black, adopted, and a son of Hawai?i.

His journey is the subject of an upcoming documentary called “Kamakak?hau: A Heart’s Desire,” which follows the singer as he traces his roots from Maui to his birth place in Little Rock and onto his ancestral homeland in West Africa.

Credit Banzai Media
Fernandez greets the sunrise at Wawamalu (Sandy's) on the first day of filming for a local documentary on his journey to discover his roots in Arkansas and West Africa.

Imani Altemis-Williams is producing the documentary for the P?polo Project – a Hawai?i non-profit aiming to redefine what it means to be Black in the islands.

“His story, I think is unique. But I think many of us also see different elements of ourselves in this story,” says Altemis-Williams, “What does it mean to be black? Are we black enough? And especially when we've grown up here and so far away from other parts of the diaspora that have more Black representation.”

Credit Vivir Photography

Music will play a central role in the film as it has in Fernandez’s life. He plans to incorporate signature sounds from the journey into his music.

FERNANDEZ: I ka?u komo ?ana i ke mele, ua hana wau e ho?ohanohano e h??awi mahalo i ka?u mau a?o. Ak? ?a?ole loa wau i ?ike i ia w? i ?ane?i ana ko?u alahele.

He says he initially got into music to show appreciation for what he had learned. He never thought music would lead him on this journey of self-discovery.

Kuʻuwehi Hiraishi is a general assignment reporter at Hawaiʻi Public Radio. Her commitment to her Native Hawaiian community and her fluency in ʻōlelo Hawaiʻi has led her to build a de facto ʻōiwi beat at the news station. Send your story ideas to her at khiraishi@hawaiipublicradio.org.
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