installation

Noe Tanigawa
Noe Tanigawa

Families from around O‘ahu have been checking out the new Victoria Ward Park in Ward Village, currently adorned with 25 thousand LEDS in a blend of art and technology entitled Light Garden:  a Thousand Year Bloom.  This marks the opening of Victoria Ward Park, and reflects a continuing effort by the Howard Hughes Corporation to use art to animate spaces.  HPR’s Noe Tanigawa reports.

noe tanigawa
noe tanigawa

The 2017 Artists of Hawai‘i exhibition at the Honolulu Museum of Art is more about experience than depiction this year.  Kasey Lindley’s video installation merges technology and play.  Another installation, made of tissue, cloth and thread, burrows into both body and psyche.  Kaori Ukaji spoke to HPR’s Noe Tanigawa about her piece, Serenely  Proliferating.

noe tanigawa
noe tanigawa

For those who saw it in 2012, artist Kaili Chun’s twenty four hour pop up installation of fifty 8-foot steel cells on Waimānalo Beach was a testimony to the mute power of art.  Right now, her installation of fishnets at the Honolulu Museum and hundreds of copper fish at the Prince Waikīkī nicely bookend Chun’s ideas about global systems and the importance of place.  HPR’s Noe Tanigawa reports.

noe tanigawa
noe tanigawa

Painter, installation artist, Yayoi Kusama is having her moment in the U.S.  With sold out shows in Los Angeles and Washington D.C., her installation at the IBM Building is a hidden gem of the Honolulu Biennial.  HPR’s Noe Tanigawa takes us there.

Taiji Terasaki
Taiji Terasaki

This year, the Contact Hawai‘i show at the Honolulu Museum of Art School asked artists to envision our islands a thousand years from now.  Some artists came up with post-apocalyptic scenarios, a giant white tiki carving is bound by ropes on the front lawn, while others explored tourism, climate change, relationships, and more.  HPR’s Noe Tanigawa reports on one artist’s vision of Hawai‘i as a bountiful Eden.

noe tanigawa
noe tanigawa

People gravitate to Andrew Binkley’s “Stone Cloud” at Foster Garden.  Part of the Honolulu Biennial, it is big, and looks quite heavy, hovering over the heads of those who wander by.  HPR’s Noe Tanigawa caught up with Binkley there in the Garden to find out what he had in mind.

noe tanigawa

Art Biennials are big business, as you can tell by the proliferation of bi and triennials around the globe over the last twenty years.  Cities launch these high profile art extravaganzas to attract tourists, sales, and cultural cache.  The Honolulu Biennial has just opened in nine venues around town, HPR’s Noe Tanigawa reports on how to make the most of it.

noe tanigawa
noe tanigawa

In the mid-20th century, jazz, abstract expressionism, open form poetry, were some of the art forms that celebrated a kind of escape from regimentation and expectation.  An interest in process arose, and for some, the journey became more important than the destination.   HPR’s Noe Tanigawa reports a revival of that spirit is underway, for example, in an exhibition at UH Mānoa.

This Wednesday around 2pm, skateboarders take on Peter Chamberlain’s interactive room.   Friday 2 to 4pm everyone’s invited to participate in the closing non-extravaganza.  

Ponoiwi: Living Bones

Jan 7, 2014
Kapulani Landgraf

2013 closed with a wave of proposed developments, particularly on Maui and O’ahu, where   commercial development has, at times, meant a clash between culture and change.   An installation on view now at the Honolulu Museum examines the history of sand mining on Maui, linking it to the cement being poured on O’ahu.   HPR’s Noe Tanigawa reports.