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Kalani?pu‘u’s Gifts to Captain Cook Return to Hawai‘i

Te Papa Tongarewa
Te Papa Tongarewa

    

Wikipedia Commons
Credit Wikipedia Commons
"Kalani?pu`u, King of Owyhee bringing Presents to Captain Cook, ca. 1781-83. Pen, ink wash, watercolor, by John Webber, artist aboard Cook's ship.
Te Papa Tongarewa
Credit Te Papa Tongarewa
“Ahu ‘Ula” or feathered cloak
Te Papa Tongarewa
Credit Te Papa Tongarewa
"Mahiole” or feathered helmet

A set of artifacts present at the contact between Native Hawaiians and Captain Cook are on their way back to the islands.

In 1779, Cook arrived in Kealakekua Bay and was greeted by Kalani?pu‘u – The Chief of Hawai‘i Island.  As a demonstration of goodwill, he gave Cook the “Mahiole” or feathered helmet and “Ahu‘Ula” or feathered cloak he was wearing.  The episode marks a brief window of peace between Cook and the natives, before the skirmish in which Cook was killed broke out.

The helmet and cloak were taken back to England where they were passed through different collectors and museums before landing in the Dominion Museum in New Zealand, the predecessor of Te Papa Tongarewa in 1912.  Now a partnership among The Office of Hawaiian Affairs, the Bishop Museum and the Te Papa Tongarewa Museum is bringing the cloak and helmet back to Hawai‘i for a ten year stay.  Dr. Kamanaopono Crabbe is the CEO of OHA.  

Marques Marzan is the Cultural Resource Specialist of the Bishop Museum. 

marques_marzan_bishop_museum_final.mp3

The helmet and cloak of Kalani?pu‘u will go on display at the Bishop Museum starting March 19th.

Nick Yee’s passion for music developed at an early age, as he collected jazz and rock records pulled from dusty locations while growing up in both Southern California and Honolulu. In college he started DJing around Honolulu, playing Jazz and Bossa Nova sets at various lounges and clubs under the name dj mr.nick. He started to incorporate Downtempo, House and Breaks into his sets as his popularity grew, eventually getting DJ residences at different Chinatown locations. To this day, he is a fixture in the Honolulu underground club scene, where his live sets are famous for being able to link musical and cultural boundaries, starting mellow and building the audience into a frenzy while steering free of mainstream clichés.
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