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The Feathered Skirt of Princess N?hi‘ena‘ena

Honolulu Museum of Art
Honolulu Museum of Art
Bishop Museum Archives
Credit Bishop Museum Archives
Artist rendering of the original p?‘?.

  

Bishop Museum Archives
Credit Bishop Museum Archives
King Kal?kaua lying in state, with the p?‘? of N?hi‘ena‘ena draped over his casket.

  Hawaiian history buffs will have one last chance to view a beautiful artifact with a tragic history.

The p?‘? or skirt of Princess N?hi‘ena‘ena will be taken off display for preservation at the Bishop Museum.  N?hi‘ena‘ena was the only daughter of Kamehameha I and Ke?p?olani.  The skirt’s construction represented her sacred status as well as her role to give birth to the next great chief.  That expectation was never fulfilled, as she died childless at 21.  Historians say her grief stricken brother ordered the skirt to be re-sewn into the funeral blanket that covered the caskets of her family as they passed away.  

The skirt is the largest piece of Hawaiian feather work ever made, containing one-million yellow, orange, and black feathers plucked from the extinct ‘?‘? bird. Desoto Brown is a historian and archivist with the Bishop Museum. 

   The feathered skirt of N?hi‘ena‘ena will be on display throughout the weekend in the main hall of the Bishop Museum.

The complete interview with Desoto Brown 

Feather_Skirt_of_Nahi‘ena‘ena_.mp3

A great article by UH Professor John Charlot.

Nick Yee’s passion for music developed at an early age, as he collected jazz and rock records pulled from dusty locations while growing up in both Southern California and Honolulu. In college he started DJing around Honolulu, playing Jazz and Bossa Nova sets at various lounges and clubs under the name dj mr.nick. He started to incorporate Downtempo, House and Breaks into his sets as his popularity grew, eventually getting DJ residences at different Chinatown locations. To this day, he is a fixture in the Honolulu underground club scene, where his live sets are famous for being able to link musical and cultural boundaries, starting mellow and building the audience into a frenzy while steering free of mainstream clichés.
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