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Bridging the Gap - May 23rd, 2015

99traveltips.com
99traveltips.com

Tonight's funky good time will focus on the Music of South and West Africa with a few tasty nuggets in-between. 
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Set List:
Hour 1

  1. Somi- Last Song [The Lagos Music Salon]
  2. Rosalia De Souza- Mais [Garota Moderna]
  3. Sonny Chillingworth- Charmarita/Malasadas [Sonny Solo]
  4. Jolie Holland- Little Birds [Pint of Blood]
  5. C.W. Stoneking- The Love Me or Die [Jungle Blues]
  6. Snarky Puppy and the Metropole Orkest- Atchafalaya [Sylva]
  7. Bixiga 70- Kalimba [Ocupai]
  8. Fela Kuti and the Africa 70- Juen Ko Ku (Chop n' Quench) [Nigeria 70]
  9. The Spam Allstars- La Vida Continua [Contra Los Roboticos Mutantes]
  10. Quantic and His Combo Babaro- Una Tarde En Mariquita [Look Around the Corner]

Hour 2

  1. Cesaria Evora- Isolada [Voz D'Amor]
  2. Jovens Do Prendo- Africa Merengue [Soul of Angola]
  3. Le Grande Kalle- Mama Nagi Habanera [Le Grand Kalle: His Life, His Music]
  4. Louis Armstrong- The Peanut Vendor [Rumba Jazz 1919-1945 History of Latin Jazz and Dance Music]
  5. The Mothers- Learning [Township Sessions]
  6. Miriam Makeba- Saduva [Pata Pata]
  7. The Skatalites- Pata Pata (Skata Skata) [From Paris With Love]
  8. Krar Collectiove- LDN [London Calling]
  9. Paul Simon- The Obvious Child [The Rhythm of the Saints]
  10. The Melody Aces- Asaw Fofor (George T Edit) [Unreleased]
  11. Clap! Clap!- Kuj Yato [Tayi Bebba]
  12. Jamie XX- Far Nearer [Far Nearer EP]
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Nick Yee’s passion for music developed at an early age, as he collected jazz and rock records pulled from dusty locations while growing up in both Southern California and Honolulu. In college he started DJing around Honolulu, playing Jazz and Bossa Nova sets at various lounges and clubs under the name dj mr.nick. He started to incorporate Downtempo, House and Breaks into his sets as his popularity grew, eventually getting DJ residences at different Chinatown locations. To this day, he is a fixture in the Honolulu underground club scene, where his live sets are famous for being able to link musical and cultural boundaries, starting mellow and building the audience into a frenzy while steering free of mainstream clichés.
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