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Bridging the Gap - March 14th, 2015

Sticking to slightly longer songs this evening, but still going all over the place. 

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Set List: 
Hour 1

  1. Diesler-Into the Woods [Shapes 7.1]
  2. Astrud Gilberto- Take it Easy My Brother Charile [Astrud Gilberto Now]
  3. Nicola Conte Il Cerchiro Rosso [Jet Sounds]
  4. Gerardo Frisina- Swing Low, Sweet Cadillac [Notebook: A Journey in Sound]
  5. Gotan Project- Triptico [La Revancha Del Tango]
  6. Chucho Valdés- La Comparsa [New Conceptions]
  7. Indigo Jam Unit- La Tomatina [Roots]
  8. Etienne De La Sayette- Lord Bougainvillard [I'm So Cool in Seoul]
  9. Novalima- Bandolero [Afro]
  10. Willie Bobo- Roots [Talking Verve]
  11. Harvey Averne- The Word [Nu Yourica Roots]
  12. Ray Baretto- Acid [Nu Yourica Roots]

Hour 2

  1. Radio Citizen- El Celio [Radio Citizen]
  2. Federico Aubele- Esta Noche [Grand Hotel Buenos Aries]
  3. Rhythm Future Quartet- Summertime/Billie Jean [S/T]
  4. Gabrele Poso- Calle De La Plata [20+ Years rooted in Jazz Not Jazz]
  5. Bonobo- We Could Forever [Black Sands]
  6. BadBadNotGood- Mass Appeal/Transition [BBNG]
  7. Gene Harris and the Three Sounds- The Look of Slim [Elegant Soul]
  8. Big John Patton- Latona [Let 'Em Roll]
  9. Schema Sextet- Look Out [Look Out]
  10. Poets of Rhythm- Discern/Define [Discern/Define]
  11. Bill Evans Trio- Alice in Wonderland (Take 2) [Sunday at the Village Vanguard]
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Nick Yee’s passion for music developed at an early age, as he collected jazz and rock records pulled from dusty locations while growing up in both Southern California and Honolulu. In college he started DJing around Honolulu, playing Jazz and Bossa Nova sets at various lounges and clubs under the name dj mr.nick. He started to incorporate Downtempo, House and Breaks into his sets as his popularity grew, eventually getting DJ residences at different Chinatown locations. To this day, he is a fixture in the Honolulu underground club scene, where his live sets are famous for being able to link musical and cultural boundaries, starting mellow and building the audience into a frenzy while steering free of mainstream clichés.
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